Online conference organized by FEDERCORI – Chorus Inside This meeting is conceived as a stimulus for a verification / exploration "on the field" that the interested participants will have to carry out in their own choral context. The aim is to acquire the elements of scientific knowledge and a systematic recognition of advanced teaching in use in the most accredited schools and choral traditions of great value, with interventions by specialists in the field. Participation is FREE for all members of the Federation, while for all others the cost is € 25.00 (twenty-five). To register you must fill out the following form: go to the link.

MORNING PROGRAM -Introduction of the Moderator (from 9.15 to 9.30) Prof. DAVIDE GUALTIERI First intervention (from 9.30 to 11) by Prof. ALICE MADO PROVERBIO (Department of Psychology University of Milan-Bicocca Head of EEG / ERP lab) THE BRAIN OF THE SINGER "The Neuroscience of Singing" ABSOLUTE EAR: NEUROBIOLOGICAL BASES "The Neurobiological bases of Absolute Pitch ability" -Second intervention (from 11.15 to 12.45) by Prof. PAOLO BARTOLOMEO (Institut du Cerveau / Paris Brain Institute • ICM Hôpital de la Pitié-Salpêtrière CNRS UMR 7225 – Inserm U 1127 – Sorbonne Université UM75 47 boulevard de l'Hôpital, CS21414 75646, Paris) THE VISUAL MENTAL IMAGINATION THE MUSICAL MENTAL IMAGINATION Afternoon (from 2 pm to 5 pm) Speeches by Prof. TULLIO VISIOLI and Prof. ALBERTO ODONE on Choral Didactics and Ear training – Repertoire, context, function, development and deepening of tonal orientation skills through listening and vocal improvisation.

A TRANSPARENT Federation, open to COLLABORATION with its members, in which EVERYONE can give a hand for the well-being of the entire choir.


You too can be part of the operational staff of the Federation and be the architect of the growth and realization of all the next projects for the Italian choir … an important context where you can realize your IDEAS and affirm your PROFESSIONALISM and TALENT.


If you want to give your contribution in one of the associative activities of the Federation (Website Management, Music Publishing, Magazine, Graphic Design, Video Editing, Communication, etc ..) fill out the following form: go to the form.


The path of 4 meetings (120 minutes each), is structured according to the following program: 1st appointment – The height of the sound, the notes, the pentagram, the keys. Intervals The durations, the rhythms in time of binary division (simple times) and ternary division (compound times) Readings, auditory recognition exercises, easy transcriptions 2nd appointment – The major scale, structure, degrees of the scale, the tonic. The stairs with the diesis and with the flats, circle of the 5e Time and strong time, the joke. Metric indication Readings, examples and exercises of auditory recognition 3rd appointment – The minor scale. Tonic and dominant. Countertime and syncope Readings, examples and exercises of auditory recognition, easy transcriptions 4th appointment – Melodies, scales and modulations. Intervals and triads. Start in rising and beating. Readings, examples and exercises of auditory recognition, easy transcriptions. The student is guided in a path that makes him aware of many "musical structures" that are already within us, thanks to our cultural baggage, and that we can exploit to improve reading. It is therefore not a course of theory and solfeggio but of training in sung reading and the development of attention and musical ear. PAULA GALLARDO SERRAO Argentina by birth has completed the Studies of Composition, 8th year of Piano and Diploma of Professor of Music Education at the Conservatory "G. Gilardi" of La Plata (Argentina). He also obtained the Higher Diploma of Composition at the Conservatory "F. Morlacchi" of Perugia. Among the Professors, the Masters E. Carranza, S. Malbràn, M. Rappallini, E. Gerardi, V. Maragno, O. Escalada in Argentina. Master Edgar Alandia in Italy. Interpreter and composer-arranger of various musical genres (classical music, salsa, tango, klezmer music and children's music).